Biography:

        Emily Dickinson was an American lyrical poet, and an obsessively private writer -- only seven of her some 1800 poems were published during her lifetime. Dickinson withdrew from social contact at the age of 23 and devoted herself in secret into writing.


        Dickinson was born in 1830 at Amherst, Massachusetts, to a family well known for educational and political activity. Her father, an orthodox Calvinist, was a lawyer and treasurer of Amherst College, and also served in Congress. She was educated at Amherst Academy in 1834 and Mount Holyoke Female Seminary in 1847. Around 1850 Dickinson started to write poems, first in fairly conventional style, but after ten years of practice she began to give room for experiments. From c. 1858 she assembled many of her poems in packets of 'fascicles', which she bound herself with needle and thread.


        After the Civil War Dickinson restricted her contacts outside Amherst to exchange of letters, dressed only in white and saw few of the visitors who came to meet her. In fact, most of her time she spent in her room. Although she lived a secluded life, her letters reveal knowledge of the writings of John Keats, John Ruskin, and Sir Thomas Browne. Dickinson's emotional life remains mysterious, despite much speculation about a possible disappointed love affair. Two candidates have been presented: Reverend Charles Wadsworth, with whom she corresponded, and Samuel Bowles, editor of the Springfield Republican, to whom she addressed many poems.


        After Dickinson's death in 1886, her sister Lavinia brought out her poems. She co-edited three volumes from 1891 to 1896. Despite its editorial imperfections, the first volume became popular. In the early decades of the twentieth century, Martha Dickinson Bianchi, the poet's niece, transcribed and published more poems, and in 1945 Bolts Of Melody essentially completed the task of bringing Dickinson's poems to the public. The publication of Thomas H. Johnson's 1955 edition of Emily Dickinson's poems finally gave readers a complete and accurate text.


        Dickinson's works have had considerable influence on modern poetry. Her frequent use of dashes, sporadic capitalization of nouns, off-rhymes, broken meter, unconventional metaphors have contributed her reputation as one of the most innovative poets of 19th-century American literature. Later feminist critics have challenged the popular conception of the poet as a reclusive, eccentric figure, and underlined her intellectual and artistic sophistication.

Poetry:

A Book               
A Charm Invests A Face                       
A Narrow Fellow in the Grass               
A Thunderstorm                          
A wounded deer leaps highest,      
Because I Could Not Stop for Death      
Come slowly, Eden!                                   
Death Sets A Thing                                
Did The Harebell Loose Her Girdle             
Heart, we will forget him!                               
Hope is the Thing with Feathers                
I Died for Beauty, but was Scarce                       
I Felt a Funeral in My Brain                                
I Went to Heaven                                  
I'm Nobody! Who are You?                  
I've Known a Heaven Like a Tent                  
My Life Closed Twice Before it Closed   

    

She Sweeps With Many-Colored Brooms
Snake
Success is Counted Sweetest
Summer Shower
The Bustle in a House
The Mystery of Pain
The Only News I Know
The Pedigree of Honey
There Came a Wind Like a Bugle
There Is A Word
There's a certain slant of light,
There's Been a Death in the Opposite House
This Is My Letter To The World
This Quiet Dust was Gentlemen and Ladies
We Like March
When Roses Cease To Bloom, Dear
Wild Nights! Wild Nights

                                                                                    

Credits

Literacyrules
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